Bach Bibliography Search Result

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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Kimura, Sachiko	Bach no Koraru Tekusuto Kantata. Paper read at Musicological Society of Japan, Kanto-chapter meeting on 12 April 1997 at the Tokyo National University of Fine Arts and Music. [Bach's Chorale-text Cantata]	[p]MSJ_Tokyo			Apr 1997
	2.	Tomita, Yo	1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [Vienna in 1780s and Well-Tempered Clavier II: a complex and unique reception history seen through the transmission of sources]. A paper read at Kanto Chapter meeting of the Musicological Society of Japan on 8 February 1997 held at Kunitachi College of Music, Tokyo. http://www.mu.qub.ac.uk/tomita/wc2wien/wc2wien.html	[p]MSJ_Tokyo			Feb 1997
	3.	Endo, Rena	Johannes Brahms no J. S. Bach Juyo ni tsuite. Paper read at Japanese Musicological Society, 273rd Kanto Chapter Meeting on 17 October 1998. Nihon Ongaku Gakkai, Kanto Shibu Tushin, lii (1999), p.2.	[p]MSJ_Tokyo			Oct 1998
	4.	Isoyama, Tadashi	Colloquium: Bach and Dresden. (Speakers: Ichiro Sumikura, Yoshitake Kobayashi, Ryuichi Higuchi and Yo Tomita) A round-table session given at Japanese Musicological Society Annual Meeting in Tokyo, 7-8 November 1999.	[p]MSJ_Tokyo			Nov 1999
	5.	Kimura, Sachiko	J.S.Bach no Koraru Tekusuto Aria: Koraru no Shi to Senritsu no Atsukai, Ongaku Kosei Genri o Chushin ni. [J. S. Bach's choral-text aria: on his treatment of chorale-text and the structural principle of music] A paper read at Japanese Musicological Society Annual Meeting in Tokyo, 7-8 November 1999.	[p]MSJ_Tokyo			Nov 1999
	6.	Ebata, Nobuaki	J. S. Bach no 4-sei Koraru: Zen-Repertory no Bunrui no Kokoromi. [J. S. Bach's 4-part chorales: an attempt to classify the entire repertory] A paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005	[p]MSJ_Tokyo			Oct 2005
	7.	Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, Tadashi	Roundtable 'Bach Kenkyu to 21Seiki'. [Roundtable: Bach Research and the 21st Century] Papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005. Tomita's paper is uploaded at http://www.mu.qub.ac.uk/tomita/essay/NTBResearch.html	[p]MSJ_Tokyo			Oct 2005
	8.	Isoyama, Tadashi	Roundtable 'J.S. Bach to C.P.E. Bach -- Densho to Sozoteki Juyo o megutte' (Speakers: Keiichi Kubota, Yoshitake Kobayashi, Yo Tomita). [Symposium 'J.S. Bach and C.P.E. Bach - on transmission and creative reception'] A roundtable staged at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.	[p]MSJ_Tokyo			Oct 2008
	9.	Kobayashi, Yoshitake	Bach Kenkyu ni totte Emanuel Bach no Shogen wa doko made Shinrai dekiru ka. [How far can Bach research rely on the testimony by Emanuel Bach?] A paper read as part of roundtable 'J.S. Bach and C.P.E. Bach - on transmission and creative reception' chaired by Tadashi Isoyama at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.	[p]MSJ_Tokyo			Oct 2008
	10.	Tomita, Yo	Bach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite. [On the transmission and reception of the Sonatas and Partitas for Unaccompanied Violin in the 50 years following Bach's death.] A paper read as part of roundtable 'J.S. Bach and C.P.E. Bach - on transmission and creative reception' chaired by Tadashi Isoyama at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.	[p]MSJ_Tokyo			Oct 2008
	11.	Kubota, Keiichi	C.P.E Bach ni yoru J.S. Bach no Ongaku no 'Densho' to 'Sozoteki Juyo'. [The transmission and creative reception of J.S. Bach's music by C.P.E. Bach] A paper read as part of roundtable 'J.S. Bach and C.P.E. Bach - on transmission and creative reception' chaired by Tadashi Isoyama at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.	[p]MSJ_Tokyo			Oct 2008
	12.	Tomita, Yo	19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [Various aspects of Bach Reception seen through the 19-century editions of Bach's works] Paper read at the 62nd Annual Conference of the Musicological Society of Japan held on 5-6 November 2011 at the University of Tokyo.	[p]MSJ_Tokyo			Nov 2011
	13.	Ebata, Nobuaki	'Der berühmte Sammelband Hausers': Shoshitsu shita Shukofu no Kyokumoku Doitei ni tsuite. [Der berühmte Sammelband Hausers: on the identification of works contained in the lost manuscripts] Paper read at the 62nd Annual Conference of the Musicological Society of Japan held on 5-6 November 2011 at the University of Tokyo.	[p]MSJ_Tokyo			Nov 2011
	14.	Tomita, Yo	Bahha no Sakkyoku Katei to Enso e no Hinto o 8-bun Onpu no Renko kara yomitoku. [Deciphering J. S. Bach’s performance hints hidden in his quaver beams] A paper read at the 66th National Conference of the Musicological Society of Japan at Aoyama Gakuin University, 14-15 November 2015.	[p]MSJ_Tokyo			Nov 2015
	15.	Murata, Kayo	J. S. Bach no Weimar Jidai ni okeru Tasha Sakuhin no Juyo: J. G. Walther to no Taiihou Chishiki Kyoyu no Kanosei ni Chakumoku shite. [The reception of the works by J. S. Bach's contemporaries in his Weimar period in view of the possibility to share the knowledge of counterpoint with J. G. Walther] A paper read at the 66th National Conference of the Musicological Society of Japan at Aoyama Gakuin University, 14-15 November 2015.	[p]MSJ_Tokyo			Nov 2015